Tiled Quilt {Roma Quilt Pattern}

When I first saw the Roma Quilt, designed by Quiltd Studios, I knew I wanted to make it. I love mosaic quilts that are reminiscent of tiles, and I couldn't figure out just by looking at it how it was put together. Which means it was interesting. I bought it and squirreled it away until I was ready to make it. That time came this year, when I was preparing to go to Sewtopia San Antonio. This was my second Sewtopia event and I wanted to take a project I was excited about, but that wouldn't require a lot of brain power since there's so much going on and so much socializing at Sewtopia. 

At first, I planned to take the Interwoven pattern, by Lo and Behold Stitchery, but after I purchased fabric and had pressed it and was preparing to cut it, I realized how difficult the pattern was. Maybe that sounds dumb; I probably should have realized it would be a difficult pattern before getting that far. But I didn't. I thought, oh, strip piecing...precision, but mindless sewing. Perfect. 

Wrong. 

So wrong. 

I opened it up and started trying to decipher the directions and was SO confused. 

Guys, I have sewn, like, 70 quilts. I've created my own patterns. I don't do crazy hard stuff like applique, or really super technical stuff, but I'm a decently advanced quilter. And I could not figure it out. I realized right then that it was not going to work for Sewtopia. So I switched gears and pulled out my Roma pattern. I used my Kona color board to pick out some colors I thought would be great and bought them quick so I could get it all cut. 

Delicate Arch Quilt

I feel so lucky I got to make this quilt as part of a pattern test for Meagan at Lomond Slopes Quilts. When I saw her tester call, and the amazing design, I applied immediately. What an amazing quilt! I love the tribute to Utah. 

This quilt pattern has two sizes, a large throw and a baby size. I opted for the throw because I like big quilts, and if given a choice, I'm going to make a bigger quilt. It's a great size--some throws are too small in my opinion, but I'm very tall and my husband is even taller, which means our kids are also super tall. So big quilts are advantageous. However, after I finished, I wished I had sewn the smaller one. I think the baby size would probably make a great wall hanging, which would be perfect for the design. As it is, folded up on my couch, you can't really see what the quilt is, and so often that's how quilts live, especially throws. 

Winning Ribbons

I posted my Garden Gem quilt already, and I mentioned I planned to enter it at the Springville Art Museum for their annual quilt show. I like seeing my quilts hang in museums, it's fun! And I was really happy with how it turned out. I try to not worry about winning things, because it's not why I make quilts and honestly, I'm not technical enough to really worry about it. Still...I kinda thought, *maybe* it might win a ribbon, my points (the very few there were) lined up really well and Marion did a fantastic job quilting it. I didn't dare hope, but honestly, I really hoped. I just tried to say I didn't care. 

But luckily, I DID win a ribbon, which makes my second this year if you count my Sewtopia ribbon, which I do. :) Interestingly, both quilts use designs by Jenny Haynes of Papper Saxsten, so clearly, she's designed award winning quilts. As a ribbon winner, I was invited to the opening reception award ceremony and of course I went, I was anxious to find out what ribbon I won! I didn't dare take my girls because I didn't know how long it would be and I didn't want them to be disruptive or bored... but I probably should have taken them. Instead, just my husband and I went. Of course, they began announcing the winners from the bottom up, starting with those that had been awarded honorable mentions, and then awards of excellence, and then judges choices, and I kept waiting for my name to be called and it kept not being called. Finally, there were only a few ribbons left and they finally announced my name as the director's choice! She was announcing the awards so she shared a little bit about my quilt and how much she loved it and was so glad she got her first choice, which doesn't always happen. I was absolutely thrilled! 

We brought our girls down a few weeks later to see it at the museum with the ribbon and they weren't all that excited...but I did see another quilter who had won a ribbon in the same gallery and we talked for a bit. She told me there was some drama on the ribbon winning for the Dear Jane quilts and I realized going for ribbons is not for me. I'm so glad I won, and I'm not going to lie, I'm excited to see how much money I won for winning a ribbon, but I don't think ribbon seeking is for me. I mean, I machine bound my quilt. :D

Federa Quilt

Summer has flown by for me. Our kids go back to school in just a week and a half or so, and I can hardly believe it! I've got to pack a bunch of fun things in that we've meant to do all summer, and it just hasn't happened yet. A hike, maybe (if I can talk them into it...), a day at the roller rink, shopping for family picture clothes...plus we need to review everyone's uniforms and make sure they have what they need. We have had a great summer, even if I feel like I need to make up for lost time. We took a roadtrip up to the Pacific Northwest and visited the San Juan Islands and Olympic Peninsula with a short stop at Cannon Beach before coming home. It was a lovely way to start summer. But, we haven't done our typical summer sewing service this year (we also missed last year) and that makes me kinda sad. Maybe next year we can get back into it. I have had my girls help cook for the last few weeks which was on my list...I want them to help me just once a week so they can start to learn how. My older girls end up doing most of the work while I assist, and my younger ones help until they get bored waiting for various steps and never come back...but it's okay. Progress, right? 

And speaking of progress, I've made progress in my sewing room, too. I bound two quilts, including my Federa Quilt, which I mostly pieced at Sewtopia in April. It's the Wasatch pattern by Compass and Wildflowers. I used colors inspired by our trip to the Dolomites in October, so yellow and orange foliage and turquoise for the lake. We got to visit Federa Lake while we were there and it was absolutely stunning. 

The piecing was really simple and a perfect Sewtopia project since I could just grab strips and go; since it was made of solids and all the blocks were the same, there was no need to lay things out or worry about spacing out colors and fabrics evenly. 

Unfortunately, it's not square. I appreciated that she has you cut blocks in halves or quarters to add to the edges to make the edges straight so you don't have to trim it after quilting and lose so much of the blocks, but I wonder if that was partially to blame for it's lack of squareness. It doesn't really matter, not really, it's a throw quilt and even if it was a bed quilt, I'm really not much of a show quilter. (Although I do have something to share about that later; stay tuned!)

I love this quilt and that it reminds me of Italy. Our trip to the dolomites was really great, I'd love to go back! It was just beautiful. Although, I think we'll wait until after the olympics go through; there was plenty of construction as they prepare to host.

Sewtopia Milwaukee

I am so excited to share about my trip to Sewtopia in Milwaukee! It was amazing. More amazing than I could have hoped. There are a bunch of pictures, and a lot of them are even more terrible than my usual sub-par standard because interior lighting is ROUGH. But hopefully they give you a good idea!

 

First, while my sewing bestie did not get a ticket initially, Megan and Amy saw my note on an instagram post that she had not gotten a ticket and when one came available a week before the event, they emailed me and offered it to her directly. So she got to go! I was majorly impressed with her spontaneity. I was nervous about being by myself when so many of the attendees had been before or were attending with friends and I worried I would feel lonely. That worry was unnecessary, as everyone was so exceptionally friendly and inclusive, but I was still glad she got to go. I didn't really know what to expect, but I did anticipate bringing home more than I took with the shop hop. I didn't realize how much extra stuff we'd bring home, though! We got amazing swag bags with patterns and precuts and batting and more, and everyone gets a doorprize at some point through the weekend, and many of them were fat quarter bundles. You can see the one I picked in a picture below, barely, in the picture with the pouch I received in the swap.

 The event on the whole was so fun. The shop hop was great and I got some fun fabric, including some great additions to the quilt I worked on for Latifah's class (more on that later). The saddest part to me was that the shops seemed understaffed and overwhelmed by our visit, and cutting and checking out took FOREVER. I only got to one shop at the second stop instead of both shops (which were just a block away from each other) because they had only one person cutting and one person checking out. So I waited roughly 40 minutes to get cut. I try to not feel FOMO too hard, but I was disappointed to not get to both shops. We also visited a quilt and textile museum, which was pretty cool, although it took longer than I think we really had budgeted for in the shop hop unfortunately. There was a 25 million stitches project on display, which was in recognition of the refugee crisis. It was dark, and there were so many embroidered panels, so pictures were hard and I only took some of the some of the panels I really loved, one is below.

I took my Wasatch quilt project to work on because it seemed like it would be mindless sewing since it's a log cabin construction and I used solids, and it was a great choice. I was in the afternoon classes, so we had a couple of open-sew periods before our first class, and I nearly finished my blocks during the weekend. I miscut and was 8 pieces short of one of the colors, so I couldn't finish it. But, I was so happy with my progress and was able to quickly finish the quilt after I got home. It's now at my quilter's for longarming. 

 

We had two instructors for the weekend: Latifah Saafir, who taught her Glare quilt, and Violet Craft, who taught us how to turn a photo into an EPP pattern. Both were so great! I got three "blocks" done for my Glare quilt, and I'm excited to jump back in this weekend to work on more. I'm a little nervous about the assembly, because she showed us briefly at the end, but it seemed a little tricky even though the curves are nice and big and gentle. I am using Tula Pink's Daydreamer line, and it feels funny to me to use a single line. I never do that! But I thought the flamingos were perfect for the centers and it just kind of snowballed from there. It's going to be a pretty bright quilt for me, but I think it'll be really pretty. 

As I've shared previously, I didn't feel comfortable participating in the Super Secret Swap just in case I wasn't up to enough awesome sewing before the event. But I did sew a swap item and Phyllis got my Luisa crossbody bag, which she loved with the focal Tula Pink print. I got a lovely pouch made my Anja. The zipper work looks so tricky and she said she struggled, but it looks like she breezed through it. The topstitching was well done, I assure you, and my girls have already tried to take it for themselves but I wouldn't let them. 

The biggest news I have to share is that I won the fabric challenge!

 For every event, Sewtopia hosts a fabric challenge, and this one was sponsored by Windham. We were sent 6 fat quarters, including three prints by Heather Ross and three solids. I brainstormed and wanted to use the stripes creatively, that was my biggest focus. I decided to make an Above the Cairns quilt, designed by Jenny Haynes, even though I haven't taken her workshop. I have taken her Hexibore workshop, and I have some of her templates, so I just went with it...I had to print the largest durkard's path template from Electric Quilt. My goal was to have the lighter peach snail print and the orange solid blend together with the striped fabric which had the peach and orange colors in it. I used the strawberry print for the centers and since they kind of resembled cobblestones, I titled it Roman Cobblestones because of the delicious strawberries we had there when we visited a few years back during strawberry season. I quilted it with my walking foot, using a design from Jacquie Gering's Walk book for the main center. Amy said my quilting was what really sealed it, and I got loads of compliments on the quilting. I felt so proud of it!

 

 I never quilt my own quilts, and this was really as big as I'd want to quilt myself. I got a first place ribbon, made by Megan, and a box of fat quarters of the full line of Windham solids. I'm thinking maybe I'll order Violet Craft's peacock quilt pattern and use them for that, which seems fitting.

Garden Gem (a Hexibore quilt)

Somehow, I came across Jenny Haynes' Instagram feed and discovered her amazing curved piecing. I ended up signing up for her Hexibore class and ordering her acrylic templates because I had never seen anything quite like it and just HAD to make one for myself. She offers her more complex patterns only as online classes, and only live, though you do get a recording of the class afterward. 

This was the second iteration of the class, where she introduced a four-petal version, and that's what I opted to make first. Since, I have also made a six-petal top that I'm trying to decide how to have quilted. It's tough, I'll tell you. These quilts are so graphic that you really want to make sure the quilting will accent the design.

For the four-petal version I made first, I decided I HAD to have it custom quilted, and in the past, I've hired Marion McClellon for that. She always does amazing work! I just trust her, and know she'll do some amazing art. So, after I finished up the quilt top, which went together pretty quickly since it doesn't have many pieces. Jenny gave great tips on how to get the pieces lined up just right so you don't lose the curves. Her instruction was great, I wish the class were just a little more professionally done. It was very informal, which is why she hasn't created contents ready for streaming anytime. I can't really complain about the content as she really does give great instruction. And, it wasn't very expensive as far as classes go. I guess I'm mostly disgruntled because I'm really interested in some of her other courses, but I've never caught them with openings at times that would work for me. 

I just got back my quilt from Marion a week ago, and I finished binding it. I picked the binding out when I bought the fabric originally, which is so unlike me! Usually binding is an after thought. But I thought the orange would be striking. 

I was blown away by Marion's quilting when it came back, and I had tried extra hard on the piecing to get the points lined up just right, so I decided I will probably enter it in the Springville art museum quilt show this summer. And with that in mind, I decided to try a little harder on the binding. It didn't work out perfectly, I'm not good at binding. But I think it's okay. I backed it with minky which means the drape is excellent despite the dense quilting, and since I backed with minky, there's no way I could hand stitch it down. So, instead of sewing the binding first to the front and then turning it to the back, I stitched it to the back and turned it to the front so I could "topstitch" it down. I reasoned it would look more intentional and better. Of course, true to form for me, it's a tad wavy. I tried so hard! I cleared off my table and tried to not pull either the quilt or the binding. But it was a heavy quilt and that's hard to manage. Oh well...I don't really expect top marks from the show anyway. It's just fun to see your work hanging in a museum! 

Completed March 2024

Terra Cotta Mini

After my stroke, I was itching to get back to the sewing room. I had done a little bit of English paper piecing in the hospital, but machine piecing is my preferred sewing method. But, my first week or so back was definitely time of recovery. I was worn out, I was sore, I wasn't walking very well at all. And I wasn't super confident in my fine motor skills needed for cutting and precision sewing. I was no where near confident to work on curves, which was my current WIP. Oh, and I wasn't limber enough to get down on the floor, so finishing the quilt I had in progress was out, too, since I was piecing rows together at this point. 

So, I had to figure out what to sew that I was up for sewing, and also had all the materials I needed...I toyed with a simple charm pack/HST quilt that's on my list, but I didn't want to use white for the background and didn't have enough of any other fabrics for the background, so that was out. I thought about Interwoven, by Lo and Behold Stitchery, but I didn't have solids and wasn't sure if the prints I picked were small-enough scale, and I read a reviewer who said the pattern required a lot of precision, so that was out. 

I had ordered a random sample pack of mini quilt patterns from Modern Makes (by Alderwood Studio) on Black Friday so I looked at the 5 patterns I was sent. To be honest, the set of patterns I got was pretty disappointing and if anything, it confirmed my decision to not participate in the program. I really only liked 2 out of 5, and 1 was excessively disappointing. Oh well, c'est la vie, non? One that I like is called Terra Cotta and I decided to make it as my first post-stroke project. The great thing about mini quilts is they don't take a lot of fabric, the cutting is minimal, and they wrap up quick. Plus, I can quilt mini quilts on my own machine. I'm not confident enough to quilt big quilts myself, so I send them out. But minis can be completely finished in a few hours. 

Luckily, I had some solids that worked great together and I finished it up a couple weeks ago. After I pieced it, it took me a few days to figure out how to quilt it. I didn't want to just quilt along the pieced style, I felt like that was boring. So I looked at my Walk book, by Jacquie Gering, and found a great design I felt like I could do. 

I'm really happy with how it turned out, and the only frustrating part is that I used a Sewline ceramic pencil to mark lines for quilt guides and I didn't actually get it all out. I tried scrubbing it with water with a microfiber cloth and a toothbrush, I even washed it in my washing machine (air-dried it after to avoid the heat of the dryer). They're faint, so I just gave up. Sadly. Lesson learned, don't use the ceramic pencils for quilt marking! At least for me. 

Palais Royale

 I like designing my own quilts and trying to create something out of the box that’s me and unique. This project is one of those, inspired by my travels. 

In 2019, we took our oldest two girls to France to attend a wedding. The wedding was in the south, so we started our trip there and ended in Paris. One of our stops in Paris was the courtyard at the Palais royale where we relaxed for a bit before dinner one day. In the courtyard, they have some permanent modern art installations, including fountains with a pyramid of stacked metal balls, and rows of striped pillars. Some are only inches tall and others are nearly as tall as I am. I’m sure there is a method to the order but it’s not immediately discernible. We spend a while walking around them, taking pictures on and with them, and enjoying our evening. 

One day while I was brainstorming quilt ideas, I thought of these pillars and started playing around with a design. This is where I landed. It’s really big, but it was tricky to get the blocks smaller with the same proportions, and I like big quilts anyway, so it’s okay.

Slopes Scrap Quilt

I've been pretty into Amanda Jean Nyberg lately, I have her book, No Scrap Left Behind, as well as the one she co-authored, Sunday Morning Quilts. I love them both. And this is a quilt from No Scrap Left Behind that I just had to make. She calls it Slopes for how the blocks are angled gently to give it a sloping appearance, almost like mountains. 

I don't think mine turned out nearly as effective as hers did. She used exclusively cool colors, and it's a lot more unified. And I think some of my blocks didn't get the angled cuts quite right, like not angled enough maybe, so the gentle sloping action isn't as pronounced in all the rows. But, it was one of my first attempts at an improv scrappy project and I struggle with fabric waste. By which I mean that I am loathe to use the perfect color if I will have to cut off an unusable scrap to make it work. So, I tried to use strings that were pretty close to the right size (or twice the size so I could use it twice...) and that meant I needed to use a greater variety of scraps because I just didn't have enough cool colors to make it work.

Also, I really try to put my own color scheme onto a quilt pattern. I don't want to copy it exactly, because I want it to be mine. But sometimes, that means it doesn't quite work out. It's okay.

Since it's not really perfect, I"m glad I didn't put any effort into making it much larger. It's a respectable throw size, but not as oversized as I usually go for. 

I still really like the pattern, and my box of solids is still overflowing, so maybe I'll try again? Who knows. 

For the back, I opted to collect all my flannel scraps from previous backings and piece them together into a scrappy backing. I was just a tad short, so I bought 1/3 yard of flannel to finish it off. 

Slopes quilt, designed by Amanda Jean Nyberg, quilted by Abby Latimer, completed 2021

Seattle Quilt

 I’ve been admiring scrappy quilts lately, especially the work of Amanda Jean Nyberg. I’m still sad, years later, that she discontinued her blog but I’m glad she maintains her instagram for now. And with all that scrappy goodness, I’ve felt inspired to just sew. 

After finishing a more finicky pattern, especially, I was tired and really wanted to just sew. And I have loads of solid scraps that seem to multiply and never get touched. I decided to try out some improv scrap quilting and opted for a log cabin. Not very imaginative, I know this has historically been a staple of modern improv. But I’m still pretty new to improv and it’s a staple because it’s effective. So I went for it. I chose a color scheme of mostly blues and grays with accents in pink and yellow. 

I tried to be judicious on my scrap usage because I hate wasting fabric and didn’t want to cut pieces down by less than I could use elsewhere and that really drove a lot of the design decisions, which means some blocks aren’t necessarily very sound color-wise. That’s okay. I’m pretty pleased with my first go, even though there are blocks that aren’t effective. 

I was surprised it felt smaller than I expected. It’s 60x70, with 10” blocks. It’s a reasonable size, but it still felt small. It’s okay. I was really running out of scraps anyway. Rather, I was running out of different appropriately-sized scraps. My solids box is still overflowing, haha. 

As I was getting ready to make this quilt, I sorted out my solid scraps. I had them in a cardboard box because they outgrew my plastic scrap box they had been in. They’re still in the cardboard box, but I separated them into a few different groups and use bags to keep them separated. I have grays and blacks, warm neutrals and browns, blues, greens, and yellows, reds, oranges, pinks and purples. I struggle with solids storage. I also have some solid cuts in my stash drawers, but some are so small they’re barely big enough for a binding. But they’re mostly still intact so they don’t really seem to fit in scrap storage…it’s a problem. I’m trying to reevaluate how I store them, so I might switch things up. We’ll see. 

I pieced the backing from some of those larger small cuts that I don’t want anymore. Colors purchased for specific purposes that are now finished, and pieces that are too small to be usable. It’s not pretty. But it’s the back of a scrap quilt and I think that’s fine. I’d rather use it than have it languish in the drawer, and using it on a backing feels less wasteful than donating it or discarding it. 

I got it back from my quilter and had to wait to bind it because I had other pressing things. I was finishing up piecing the block components of the All the Good quilt and didn’t want to put on my walking foot, and then I had to dive into Halloween costumes. With those finished, I was finally able to bind it. Yay! The binding is scrappy from leftover bits of bindings from other quilts, in the colors of this quilt, so I thought it turned out great. And, it means that this entire quilt (save the batting...) is made from scraps. I think that's pretty great. What is not so great is the wavy binding. When this has happened in the past, I thought it might be that I was pulling the quilt and the binding unevenly, and I guess I must have been doing that this time. This time, I was too lazy to move my serger that sits next to my sewing machine, because this quilt isn't *that* big, but it looks like I needed the space. Oh well...done is better than perfect...

I thought about a possible name while I was binding, and it was hard. I thought about the colors...the wonkiness, the log cabin block...I felt stumped. And then I thought about Seattle, which often has such dreary weather, and gray and blue seem very Northwest to me. But when I've visited, we've always managed to get a few days of sun, like the bright pops of yellow. And Seattle, like the Northwest in general, is a little wonky and weird, which we love, right? Plus, I asked for a wavy quilting design, which kinda looks like waves, an Seattle is on the Sound...So, Seattle. *shrug*

Around the World BOM

When Whole Circle Studio announced an Around the World monthly sampler, I knew I had to sign up. The quilt is stunning, and I couldn't pass it up, I think I signed up the first day and got to take advantage of the early bird pricing.

I was not excited to sew more paper pieced blocks, I had just finished a bunch for a memorial project I'll post later, but I thought it would be worth it. I think it was. Originally, I figured with only one block per month, it wouldn't be too tiring, but by the end, I was so done with paper piecing. I wouldn't mind never paper piecing ever again. I know I will. But I'm sure not antsy to do it. :)

I chose really similar colors to the original, subbing in some for others I didn't love. They're all Kona cottons. And I redid completely one of the blocks because I wasn't happy with how it looked, especially with all the other blocks around it. I originally made Dubai with an orange background, and it ended up being too similar to the Cairo. I redid it in pink instead and had just enough to complete it. 

One change I made was using letter patterns I already owned instead of the one designed by WCS. I didn't love some of her letter shapes, and I already had one I really liked, by From Blank Pages. So I did a little math and increased the size of the pattern so it would fit better into the blocks. It also meant I had to be flexible and measure to get the piece the right size and shape to fit into the block. It was difficult, and I think it was worth it. I love it with the letters!

I also decided to add a nice, wide border to it. When the top was completed, I was underwhelmed by the size. If you've been around my blog much, you know I like BIG quilts. Oversized lap quilts are my preferred size, and by oversized, I mean practically twin. Or, if it's square, practically queen. ;-) And after all the work of the paper piecing, I just wanted the finished product to be larger. So I added a nice wide border in a light gray. I love how it turned out, and the size is much more me. 

I knew, after all the work, I had to send it to Marion McClellan for custom quilting and she did a stellar job. I love the winding road in the border with the pebbling, it's perfection. I am never disappointed with her quilting. 

Before I took it to her, I consulted her on the backing; I had purchased more fabric than I needed intentionally because paper piecing is such a fabric hog, and I had lots leftover. I asked her if it would be awful to pair pretty dense paper piecing with a pieced backing and described what I was thinking and she was supportive! Of course she acknowledged normal backings are easier but also said she thought it would look amazing and that if it were her, she'd definitely consider it. So I went for it; I figured how large the back needed to be and then divided that evenly and cut a bunch of squares to make a pieced back. I do like it; it's different than I pictured, and I might like it more if I hadn't tried to use up my least favorite colors, haha. But, in the interest in not wasting fabric, I went with what I'd like most to get rid of. 

I really love how it turned out, and I love having it in our living room!

Come Fly With Me, designed by Whole Circle Studio, long arm quilted by Marion McClellan, completed March 2022

San Francisco Quilt

Designing an original quilt is always satisfying, even if it's difficult. I love to find inspiration in travels, and often take pictures of inspiring patterns or designs. Often, nothing comes of them, but sometimes I make it work. This quilt pattern is one that marinated for a while before I figured it out, and then it marinated longer still as I tried to decide on a color way. I use Electric Quilt 8 software and I tried out all kinds of colors, including a more traditional quilty look with different colored blocks. In the end, I love the dramatic colors I went with and the focal blocks. I used Alison Glass Kaleidoscope solids and the texture is fantastic. 

The inspiration for this came from a long weekend in San Francisco. I wanted to name this quilt Sausalito because that sounds like a better name, but I couldn't bring myself to since I knew full well I hadn't seen it in Sausalito. We were walking around, and I can't remember what neighborhood, and I saw an amazing antique grate on the side of a house. It was fantastically intricate and interesting and instantly knew I wanted to make it into a quilt. But, it took a while. 

I finally made it during the pandemic and I just adore it. I backed it with navy winky and it lives in our theater room and it's just perfect.

Right now, it's currently on display at the Springville Art Museum for their annual quilt show. I love going to their quilt show every year. It's an eclectic mix of mostly traditional quilts with some modern and art quilts mixed in and it's not overwhelmingly large, so it's just enjoyable. I entered a couple quilts a few years ago and didn't realize that when you enter a quilt in a show, they give you feedback when you pick up your quilt. I did NOT love receiving the feedback. I'm not a show quilter, it's just fun to see your quilt hanging in a museum! I swore I would never do it again. 

But I guess my trauma has worn off, because I went ahead and entered again. I like entering original designs and I just decided I'm not going to read the feedback. I'll let my husband read it and tell me the good parts. :) 

Arno

 I like picking up small pieces of artwork when I travel. We bought a small watercolor in Florence of the Arno River from the view of Piazzale Michelangelo. It's a classic view of Florence and the painting we bought was done at sunset, so the colors are just lovely and perfectly Florentine with the terra-cotta roof tiles. The painting lives in our bathroom now so I get to see it every day. 

Recently, I started thinking about how the colors would be perfect for a quilt. I pulled a bunch of fabrics out and decided to use the Clammy ruler I had just picked up from QuiltCon. 

I got cold feet for a while, though, and in the meantime, decided that I really wanted to make a wall hanging to replace a piece of art that I've always hated. Why is it even in my house? Long story, don't ask...lol

So, instead, I pulled some solids that worked together and created a bridge design that reminded me of the view of the bridges in Florence. I made an extra one or two curved block pieces for each row so that I could stagger them and I added sashing strips between the rows so they looked more like bridges and I absolutely love how it turned out!

I wasn't sure how I wanted to quilt it, so I waited for a few weeks and brainstormed. I ended up with a design meant to mimic the Arno River running horizontally through the middle, as it appears on maps of Florence, and then added perpendicular lines to it. I used a walking foot, which is by far the most comfortable way for me to quilt, and I'm pleased with it. Even though the tribute is subtle, I still appreciate it and I like the softness the curved lines add to it. 

Some of the blocks aren't pieced super well, and that's okay. They don't all line up perfectly. I still like it and it turned out better than I expected. And the best part is that they were all scraps/leftovers from other projects! I find that extra solids tend to languish in my drawer so I'm trying to use them up.

PS I also did manage to get the clamshell quilt top made and just dropped it off to the quilter's. I LOVE it and I'm excited to get it back!