Controlled Improv WIP

I got to go to the Quilt Con quilt show earlier this year. We happened to be visiting my in-laws in Phoenix the very same time Quilt Con was happening. I didn't realize early enough to sign up for any classes, but that's okay. I spent a very long and full day looking at so many beautiful quilts at the show and browsing the vendors area. One of the vendors was Jittery Wings Quilt Co, and she had several quilts on display that corresponded to her patterns. I was really intrigued by a couple and she gave me a very brief demo on the color organization that she said the one pattern teaches. She called in controlled improv and I was sufficiently intrigued that I bough the pattern. It's called All the Good and I finally started sewing it. I'm a little nervous but I'm trying to trust the process. So far, I've gotten my HSTs all sewn, trimmed, and pressed, and I'm working on pairing my flying geese fabrics. 

This is my stack of fabric, almost, in the order I chose for the half square triangles. Once I went to cut it, I realized I was short on two of the prints. I could have sworn I had already verified that, since I had to order more of the light blue speckled Ruby Star print. I didn't mind, it's one of my favorites and I wanted more anyway. But I was pretty surprised that a few weren't wide enough for what I needed. I had to sub in two different greens, and a different yellow.

I was really irritated with myself and it took some major discipline when I made an irreversible cutting error. I wasn't thinking, and neglected the fact that I was cutting two at a time, and cut 8 of one size instead of 4. I intentionally did those first because I only needed one of the last size, and wanted to do the other before I opened it up to single layer, so of course I was aware of what I was doing, but nevertheless, I did it anyway, and didn't have enough to cut the single square for the flying geese. And of course, didn't have enough of that fabric left. Grr. It's a print by Amy Smart from her London line, and I really like it. I'm disappointed I will have less of that fabric in the quilt. BUT, it is improv, so I elected to take another print that was close in color that I did have extra of, and cut a second of that. It's fine. It'll be fine. But it's always irritating when you cut something incorrectly and don't have enough fabric to correct it. 

The pattern has you put them in a gradiant order and sew HSTs in that gradiant order, but I did a few switches because I was worried there wasn't enough contrast. I'm still a bit worried, to be honest, but I'm hopeful it'll turn out the right way since I'm basically following instructions. I'm using some prints I really love, too, and I think in general I've got a great fabric selection so hopefully it'll all work out.

I am breaking with the instructions a bit for the fabric order for the flying geese, mostly because I don't understand how it'll produce different results than what I've done. I'm trying to make sure that none of the pairings are the same as the HSTs, and I'm also trying to make sure that I don't have any inverted pairs, where I've got the same exact fabrics paired, but also that I don't have any that are too similar. This is my current organization. We'll see if I make any more changes.

I'm a tad nervous to see how this all comes together, and I don't know how I'll do the layout when it's time. I have a great design wall in my sewing room, but it's too narrow for this quilt, and it's really more of a block holding/organizing board than a design board since it's not wide enough for most things. But, you use the space you have, right? I'll have to layout on the floor outside my room where I do have space, and hope I can get it laid out well enough before I really have to pick it up. Usually, I'll take loads of pictures to help with layout (changing it to black and white can help me see value issues) and it has the added benefit of helping me if I have to pick it up before I'm done. 

Around the World BOM

When Whole Circle Studio announced an Around the World monthly sampler, I knew I had to sign up. The quilt is stunning, and I couldn't pass it up, I think I signed up the first day and got to take advantage of the early bird pricing.

I was not excited to sew more paper pieced blocks, I had just finished a bunch for a memorial project I'll post later, but I thought it would be worth it. I think it was. Originally, I figured with only one block per month, it wouldn't be too tiring, but by the end, I was so done with paper piecing. I wouldn't mind never paper piecing ever again. I know I will. But I'm sure not antsy to do it. :)

I chose really similar colors to the original, subbing in some for others I didn't love. They're all Kona cottons. And I redid completely one of the blocks because I wasn't happy with how it looked, especially with all the other blocks around it. I originally made Dubai with an orange background, and it ended up being too similar to the Cairo. I redid it in pink instead and had just enough to complete it. 

One change I made was using letter patterns I already owned instead of the one designed by WCS. I didn't love some of her letter shapes, and I already had one I really liked, by From Blank Pages. So I did a little math and increased the size of the pattern so it would fit better into the blocks. It also meant I had to be flexible and measure to get the piece the right size and shape to fit into the block. It was difficult, and I think it was worth it. I love it with the letters!

I also decided to add a nice, wide border to it. When the top was completed, I was underwhelmed by the size. If you've been around my blog much, you know I like BIG quilts. Oversized lap quilts are my preferred size, and by oversized, I mean practically twin. Or, if it's square, practically queen. ;-) And after all the work of the paper piecing, I just wanted the finished product to be larger. So I added a nice wide border in a light gray. I love how it turned out, and the size is much more me. 

I knew, after all the work, I had to send it to Marion McClellan for custom quilting and she did a stellar job. I love the winding road in the border with the pebbling, it's perfection. I am never disappointed with her quilting. 

Before I took it to her, I consulted her on the backing; I had purchased more fabric than I needed intentionally because paper piecing is such a fabric hog, and I had lots leftover. I asked her if it would be awful to pair pretty dense paper piecing with a pieced backing and described what I was thinking and she was supportive! Of course she acknowledged normal backings are easier but also said she thought it would look amazing and that if it were her, she'd definitely consider it. So I went for it; I figured how large the back needed to be and then divided that evenly and cut a bunch of squares to make a pieced back. I do like it; it's different than I pictured, and I might like it more if I hadn't tried to use up my least favorite colors, haha. But, in the interest in not wasting fabric, I went with what I'd like most to get rid of. 

I really love how it turned out, and I love having it in our living room!

Come Fly With Me, designed by Whole Circle Studio, long arm quilted by Marion McClellan, completed March 2022

Scrap Stash Plus

When I saw Emily Dennis's Scrap Stash Plus tutorial, I immediately wanted to make one. I recognized in it the Inside Out pattern designed by Allison Harris of Cluck Cluck Sew, which I own already, but loved the alternating background Emily used. And the rainbow. So good. 

It took me a while to get around to actually making it, though not too long. And as it happened, I didn't expect to finish it as quickly as I did. I brainstormed a color scheme (I opted to go for a partial rainbow, just pink to green), and then, because I was working on some pretty big and demanding projects, I decided to just make a couple blocks to give myself a break from the tough stuff. 

But, when does a couple of blocks ever stay a couple of blocks? I continued on with my harder project (I think it was the Patchwork City sampler...) but I added in a few of these blocks a day and became thoroughly enamored with them. I made it a bit bigger than the throw size, but a few rows shorter than the twin size, and it's the perfect oversized throw for our family. I love the scrap variety, I didn't reuse a single colored scrap (though I had to reuse a lot of the low volume scraps because I just didn't have enough). And I love the rainbow/ombre effect. 

I backed it with a navy blue minky and it's lovely. I bound it with Kona Curry, even though there isn't any yellow in it, and I think it's the perfect bright-but-not-too-bright complement. 

Also, side note, as I cut out the background, I realized that for one block, I had miscalculated with my scrap and I was one 2-1/2" square shy. It happened to be a print from April Rosenthal's Midnight Magic, and I just happen to live in the same city she does. I reached out to ask if she had any scraps of the print and she graciously gave me a whole fat quarter! Quilters are the best people. I was so grateful. 

Scrap Stash Plus, quilted by Abby Latimer, completed May 2022

Swoon Sixteen 2.0

My second daughter had been patiently asking for a minky-backed bed quilt longer than my oldest daughter and as most middle children, she gets overlooked more than is fair and often very patiently waits. I couldn't keep pushing her quilt request off when I had just made a quilt for my oldest, so luckily for her, her quilt request shot to the top of the list. I got the top done shortly after my oldest daughter's, and they went to the quilter together and were finished together. I might have finished hers first, just to make sure she got looked after. 

I picked out a stack of fabric I thought she'd love, and she did. I thought Swoon 16 by Camille Roskelley would be the perfect pattern, and I do enjoy piecing quilts in this style. Camille Roskelley and Allison Harris are among my favorites, even still, and they have patterns I'm most willing to resew. I'm contemplating another Shimmer quilt (I've made two already, plus a Wallflower, which is nearly the same pattern), and it's similar to the Swoon in construction and look, and it's just a pattern I enjoy sewing. I was glad when she said she'd like it.

I think it turned out really great. I used some leftover Ruby Star Society lawn (a major sacrifice!) and some others that I'd been holding onto for a while. We backed it with aqua minky, and that gave us a hard time. Apparently, aqua is a color that has been hard to restock, and since it's popular, Abby Latimer had been out for a while. I went on a search of local quilt shops and found it after checking a couple, and they had *just* enough. Like, I texted Abby after they measured it to make sure it would be okay. She said she could make it work and I was so so glad. My daughter really wanted aqua, and I didn't want to let her down. 

She doesn't really sleep with hers, either. But that's okay. I'm pretty sure she loves it too.

Long arm quilted by Abby Latimer, completed March 2022

Hidden Stars

My older girls have been asking me to make them new bed quilts for a while. They've been jealous that the twins have minky-backed bed quilts, and theirs have boring-and-not-as-soft flannel. Even though they still share a room, I think they were also tired of having coordinated quilts and wanted something more personal.

It was on my list, but low. I have so many other projects that I'm more excited about, and they HAVE bed quilts. 

Then, I ordered a Florida jelly roll by Ruby Star Society when it was on sale and my oldest daughter fell in love with it when I opened it up to brainstorm. I don't usually buy precuts or sew with them because I've always found it easier to use yardage, and I don't typically sew quilts from just one line. Sometimes there's a dominant line, but I rarely use exclusively one line. 

This quilt is no exception. I used the whole jelly roll because it was a half-sized roll anyway, but I added a bunch of strips from my yardage too. And I copied a pattern I had seen online somewhere, doing the math myself  (not sure it was jelly roll friendly anyway). I love the secondary pattern it creates with the stars in the middle between the blocks and she was excited about it too. 

We backed it with dark gray minky and she loves it. At least, I think she does...she still mostly sleeps under her comforter. *shrug*

Long arm quilted by Abby Latimer, completed March 2022

Passages Quilt

 This quilt came about unexpectedly. 

I had visited Corn Wagon Quilt Shop in Springville and they had a pile of Moda scrap bags. I'd always been fascinated by these scrap bags; they seem slightly less expensive than a jelly roll (though, it doesn't seem by much...) and you get a variety of good sized scraps. But, just about everywhere that sells them online sells them on a mystery basis. 

That is not me. 

I don't even buy any of those subscription boxes, though I would love a surprise in the mail, because it's so hard for me to justify spending money on something I might get and absolutely hate. There are a lot of great Moda designers that I would enjoy receiving scraps of. But there are also plenty that are way too traditional for my taste, and then the fabric wouldn't get used. 

No thanks.

But, seeing them in person...that was different. I could peek through the window, and one was already open! So I got to see what it was. They had Ruby Star Society scrap bags and I found one I really liked. It was a mix of multiple lines, and they worked together well. I added in some from my own stash and bought some solids to go with them, and came up with this design based on some that I had seen on social media. It's made up of two different blocks made in the same way, like a 3 sided log cabin block, one with 2 rounds and one with 3. It reminded me of doorways or a covered walkway, so I called it Passages. I opted to make it large enough for our guest bedroom, and then after, I made a couple of throw pillows to go with it. The Essex linen is metallic and I used a rust orange color that I think works well with the quilt colors. I backed it with a Robert Kaufman wide back that I had purchased for my bed quilt, but when it arrived, I knew I couldn't use it on my bed. It's stiff and rough. My quilter, Abby Latimer, said that she heard that white prints are really tough to manufacture so that may have contributed. Maybe. But I don't mind putting it on the guest bed. It doesn't get used often, and I don't mind not encouraging guests to overstay their welcome ;-)

long arm quilted by Abby Latimer, completed March 2021

Library Dress

I've been working on making all my girls dresses. Once you make one for one, if she loves it, all the rest of them want one, too. It a good problem, I suppose. As long as they actually like them. They all have been growing anyway, and have needed new dresses. 

Right around the time I was dealing with loads of requests, Oliver and S had their annual summer sale, where patterns were half off. I love to stock up when they have good sales, so I asked the girls for their opinions on patterns, and two of them jumped at this library dress, which I just think is the cutest. I love the collar, the contrasting waist band, everything. It's been on my wishlist for a few years, but I wasn't sure if they would go for it. Luckily they did, and I bought it, along with the Terrace dress pattern and the simple shorts pattern, since I didn't have one and it's such a basic. 

ANYWAY, once my large format printings had arrived (PDF Plotting is fantastic; fast and very affordable), I got to making it. I let my daughter pick fabric from my closet, from a selection I was willing to use, and she picked the pretty blue linen and this adorable plaid. I believe it's a Kaffe Fassett plaid, but I'm not sure since I've had it for several years and, as a woven, it doesn't have info on the selvage. The linen came from Fabrics-store.com. I thought it was a perfect pairing and I absolutely love how it turned out. 

I also managed to find enough buttons leftover from something else, or rather, something that must not have gotten made, since I had so many, and I love the contrast. They're actually really obnoxiously cheap buttons from Joanns and I'm glad to be rid of them; I used some on a different project for my girls and one of the buttons on that project broke in half. And they don't have rounded edges, they just generally feel cheap. (Lesson learned: don't buy cheap buttons from Joanns, they'll definitely feel cheap!) However, they were perfect for this project.

This dress is currently my make that I'm most proud of. I just love how it turned out! 

Threads of Memories and Dreams

 I might do a bit of catch up posting to get some the quilts I've finished recently but haven't posted about, even on Instagram. This is one of those, though I have posted about this quilt project. Several years ago, I started a Patchwork City Sampler, designed by Elizabeth Hartman. The book has 75 blocks, 25 each in three different sizes, and includes several layout suggestions. Naturally, I decided to take on the largest one, using every single block, and I determined to make it a travel-themed quilt. When I started, my goal was to make each block represent a specific travel memory. And many do. But, finding travel-themed fabric and making each block look distinct while still maintaining that goal proved really difficult, so I expanded it to include travel dreams as well as a few more generic travel themed blocks. 

I worked on this quilt for years. I started blocks in late 2016 and finally finished it up during the pandemic in 2021. The final stitches in the binding were put on in January of 2022

There was probably at least a year in there where I didn't work on it at all. I amassed loads of travel prints and more memories to include along the way, even a few pieces of fabric I bought while traveling. I was always searching online for great travel prints and looking in every quilt shop I visited for themed fabric. Which means this is probably one of the most expensive quilts I've ever made, as well, since I would buy a fat quarter or a half yard for just a few small pieces of fabric. Honestly, I still catch myself looking because it was such a long project that it became a pretty entrenched habit. I tried to make up for all the fabric purchases by using other prints from my scrap bins and was mostly successful. I worried a bit that the blocks would be too eclectic to look good once I tried to put them all together, but it actually turned out pretty great. I remember reading somewhere, maybe on Amanda Jean Nyberg's blog, that kitchen sink quilts, where you put in any fabric you have, actually often work out just fine because your scrap collection has one common denominator: you. And if you like it, it probably fits in with your style. I think there's probably some truth to that, as long as you stick with fabrics you purchased or you are more judicious with the scraps you accept from friends. ;)

When I pulled it out during the pandemic, determined to finish this long haul quilt, I started thinking about sashing and binding and backing, and of course, quilting. I decided early on I wanted to have it custom quilted and I took it to Marion McClellan. She's just amazing. We decided this would be a great quilt for graffiti quilting and she even added a nod to covid since I had a couple of covid-interrupted trip blocks in there. I attempted to up the contrast and stuff to make it easier to see, quilting is hard to photograph!

I used an amazing metallic essex linen for the sashing and a light blue essex for the binding. I wish you could see the sparkle in the linen, it's perfection, I backed it with a wide-backed Ruby Star sateen and it drapes beautifully. 

This quilt was a major labor of love. Over 75 blocks, because, I learned my lesson from a previous sampler quilt, and I remade a couple of the blocks I didn't love. I am so happy I did. There are still blocks that aren't my favorite (they can't all be favorites, though, right?), but I know I would have kicked myself if I hadn't replaced the blocks that were not square and that I didn't even really like. Here's a few I love, including a couple with the covid fabric.

I was really ready to be done with this project. After so long, I was ready to see the finished product, what I had worked so hard on and spent so much time and money on. But now that it's done, I almost want another long-term quilt project to work on. 

Threads of Memories and Dreams

quilted by Marion McClellan

completed January 2022