All the Good quilt

I'm finally posting this quilt because I finally bound it! I got it back from the quilter over a month ago, but I've been busy sewing t-shirts, and this just wasn't a priority. Also, I needed matching thread for my binding.

I bought this pattern at Quiltcon in Phoenix and loved the improv style. It took a while to piece because of trimming all those flying geese and half square triangles, and then layout took a while (and two go's if you read that blog post) and then I had to pick a binding...this just took a lot longer than a standard quilt, and that's okay. It's finished now.

I love it. I wish it were a bit bigger, and I'm sad that I've got another wavy binding, but I really like it. I love a lot of the prints I used, and the colors, and the radiating center, and the navy binding...I think it turned out great. The pattern is by Jittery Wings. I didn't love the format of her pattern, but I love how it turned out so I don't not recommend it. And I didn't make any mistakes, so it was not a bad pattern by any means. 

January Progress Report

I didn't really know what to title this blog post, and it's really just a what-I'm-working-on kinda post, so I guess this works. 

I got my Swoon top off to my quilter a couple of weeks ago and then decided what I REALLY wanted to do was finish up the All the Good quilt top I had started in the autumn. I bought the pattern at Quiltcon and then started it in the fall when it was next on my list, but I had to put it away when holiday sewing got in the way. I wasn't in love with my layout anyway so I packed it away, which I don't usually do when I'm mid-project, and so I was antsy to get back to it. I also had to be careful about when I laid it out because I knew it would have to stay on the floor for at least a few days while I mulled over the design and then picked it up piece by piece to sew it together. But, I got it laid out, and once it was laid out, the sewing was pretty quick. 

By quick, I mean several hours, but still...quicker than you think it would take given what it is. 

I meant to blog mid-project, so I have progress shots of my sewing room. My cutting table is covered with All the Good strips, partially pieced Christmas Shimmer blocks, and focal prints for an economy block quilt that is next on my quilting list. 

So here's my All the Good quilt top, pattern by Jittery Wings Quilts. 

Next on my actual list, though, is a dress for me. To match my girls' Christmas dresses. I overbought fabric by yards and yards and thought I might as well sew a matching dress for me since they've asked a few times. Hey, if they want me to match too, who am I to turn them down? :)

It's going together pretty quickly, but I don't have any pictures because it's just a pile of fabric right now and whenever I've been in there working on it, it's been dark and I don't think to take progress pictures. 

And then I might finish my Christmas Shimmer quilt because I really don't like putting WIPs away...and I have some other knit and apparel fabric that is languishing, including a really fun Chenille knit I bought from Girl Charlee on a great sale...it would be a shame to not get it sewn up before it's too warm to wear it. Hmm...

Pine Hollow Quilt

I've been busy with so many things and plenty of sewing, but finishing quilts has not been one of them. And neither has taking pictures of what I've been working on. 

But, it's December, so it's a great time to post this flashback quilt! I made this just last year, which means it's one that fell through the cracks between when I stopped posting on Instagram and started blogging again. 

As I was saying...I made this last year. The pattern is called Pine Hollow by Amy Smart. I had seen some of these quilts around social media and thought they were fun! So many different color schemes, I especially liked one that had been done in Alison Glass Christmas fabric. I can't remember who made it, maybe Angela Pingel? I can't remember. It was so fun. I wasn't ready to embrace butterscotch and pink and aqua in my Christmas quilts at the time (stay tuned, lol) but I thought it was just too fun to not make. And, I had made a bunch of the improv trees for my memorial quilt from Amy Smart's tutorial and thought it was fun, so figured it would be a great project.

 I used some favorite prints from years ago and some newer prints and I think it's a great blend. I do regret using the low volume Sweetwater Noel print, because everything else is just so saturated, but that's okay. What's a quilt without at least one regret, right? 

I backed it with minky and my kids just love it. It's pulling ahead with an early lead for being fought over come Christmas Eve...we'll see who the lucky kid is who sleeps with it! 

Slopes Scrap Quilt

I've been pretty into Amanda Jean Nyberg lately, I have her book, No Scrap Left Behind, as well as the one she co-authored, Sunday Morning Quilts. I love them both. And this is a quilt from No Scrap Left Behind that I just had to make. She calls it Slopes for how the blocks are angled gently to give it a sloping appearance, almost like mountains. 

I don't think mine turned out nearly as effective as hers did. She used exclusively cool colors, and it's a lot more unified. And I think some of my blocks didn't get the angled cuts quite right, like not angled enough maybe, so the gentle sloping action isn't as pronounced in all the rows. But, it was one of my first attempts at an improv scrappy project and I struggle with fabric waste. By which I mean that I am loathe to use the perfect color if I will have to cut off an unusable scrap to make it work. So, I tried to use strings that were pretty close to the right size (or twice the size so I could use it twice...) and that meant I needed to use a greater variety of scraps because I just didn't have enough cool colors to make it work.

Also, I really try to put my own color scheme onto a quilt pattern. I don't want to copy it exactly, because I want it to be mine. But sometimes, that means it doesn't quite work out. It's okay.

Since it's not really perfect, I"m glad I didn't put any effort into making it much larger. It's a respectable throw size, but not as oversized as I usually go for. 

I still really like the pattern, and my box of solids is still overflowing, so maybe I'll try again? Who knows. 

For the back, I opted to collect all my flannel scraps from previous backings and piece them together into a scrappy backing. I was just a tad short, so I bought 1/3 yard of flannel to finish it off. 

Slopes quilt, designed by Amanda Jean Nyberg, quilted by Abby Latimer, completed 2021

Seattle Quilt

 I’ve been admiring scrappy quilts lately, especially the work of Amanda Jean Nyberg. I’m still sad, years later, that she discontinued her blog but I’m glad she maintains her instagram for now. And with all that scrappy goodness, I’ve felt inspired to just sew. 

After finishing a more finicky pattern, especially, I was tired and really wanted to just sew. And I have loads of solid scraps that seem to multiply and never get touched. I decided to try out some improv scrap quilting and opted for a log cabin. Not very imaginative, I know this has historically been a staple of modern improv. But I’m still pretty new to improv and it’s a staple because it’s effective. So I went for it. I chose a color scheme of mostly blues and grays with accents in pink and yellow. 

I tried to be judicious on my scrap usage because I hate wasting fabric and didn’t want to cut pieces down by less than I could use elsewhere and that really drove a lot of the design decisions, which means some blocks aren’t necessarily very sound color-wise. That’s okay. I’m pretty pleased with my first go, even though there are blocks that aren’t effective. 

I was surprised it felt smaller than I expected. It’s 60x70, with 10” blocks. It’s a reasonable size, but it still felt small. It’s okay. I was really running out of scraps anyway. Rather, I was running out of different appropriately-sized scraps. My solids box is still overflowing, haha. 

As I was getting ready to make this quilt, I sorted out my solid scraps. I had them in a cardboard box because they outgrew my plastic scrap box they had been in. They’re still in the cardboard box, but I separated them into a few different groups and use bags to keep them separated. I have grays and blacks, warm neutrals and browns, blues, greens, and yellows, reds, oranges, pinks and purples. I struggle with solids storage. I also have some solid cuts in my stash drawers, but some are so small they’re barely big enough for a binding. But they’re mostly still intact so they don’t really seem to fit in scrap storage…it’s a problem. I’m trying to reevaluate how I store them, so I might switch things up. We’ll see. 

I pieced the backing from some of those larger small cuts that I don’t want anymore. Colors purchased for specific purposes that are now finished, and pieces that are too small to be usable. It’s not pretty. But it’s the back of a scrap quilt and I think that’s fine. I’d rather use it than have it languish in the drawer, and using it on a backing feels less wasteful than donating it or discarding it. 

I got it back from my quilter and had to wait to bind it because I had other pressing things. I was finishing up piecing the block components of the All the Good quilt and didn’t want to put on my walking foot, and then I had to dive into Halloween costumes. With those finished, I was finally able to bind it. Yay! The binding is scrappy from leftover bits of bindings from other quilts, in the colors of this quilt, so I thought it turned out great. And, it means that this entire quilt (save the batting...) is made from scraps. I think that's pretty great. What is not so great is the wavy binding. When this has happened in the past, I thought it might be that I was pulling the quilt and the binding unevenly, and I guess I must have been doing that this time. This time, I was too lazy to move my serger that sits next to my sewing machine, because this quilt isn't *that* big, but it looks like I needed the space. Oh well...done is better than perfect...

I thought about a possible name while I was binding, and it was hard. I thought about the colors...the wonkiness, the log cabin block...I felt stumped. And then I thought about Seattle, which often has such dreary weather, and gray and blue seem very Northwest to me. But when I've visited, we've always managed to get a few days of sun, like the bright pops of yellow. And Seattle, like the Northwest in general, is a little wonky and weird, which we love, right? Plus, I asked for a wavy quilting design, which kinda looks like waves, an Seattle is on the Sound...So, Seattle. *shrug*

Halloween WIPs

 I got my All the Good quilt laid out, but promptly had to pick it up and put it away so I could focus on Halloween costumes. It's just as well, I like to let layouts marinate and now that I've thought about this one, I'm not thrilled with what I've got. Now that I've thought about it for a week or so, I really want to bring the navy up so it's a rounder shape, and I want the "nucleus" to be closer to the center of the quilt and not so much in the corner. So I'll move a row to the left side, and possibly the top...all this switching sounds really tricky though so I'm not sure how to transfer my carefully-organized stacks of rows to the new shift...it'll be a big job. For after Halloween. 

And for Halloween, I got my four girls to commit a couple weeks ago so I could get to work. My second daughter mercifully chose to be a pirate, which my oldest had been 3 years ago. Or was it four? I can't remember. In any case, I only had to make a new skirt because the one from a few years ago was not big enough for my second daughter. But skirts are really easy and quick, and after I purchased the striped fabric, it took just about an hour to get it finished up. Love that.

My oldest and one twin want to be witches and want to match, and I had a super simple costume pattern with sizes for both of them that I'm working with. It has only 3 pattern pieces, and includes a gather neck with an elastic (which means no closures to worry about), and so I'm about done with that. My twelve year old has a vision, and making this simple pattern fit her vision has required a bit of finesse. She wanted puffy sleeves and flare out, so I took a cue from a different pattern and added an elastic casing to the bicep area (I got lucky with placement since I just guessed...). And I'm making a simple belt with eyelets from a different pattern (it's super basic, using the pattern is hardly required...) in a pretty lilac color to add some interest and some definition to the waist. 

The other twin wants to be a cowgirl, which isn't surprising at all, because she and two sisters are in horse lessons right now. I had a costume pattern I used a couple years ago for a witch costume (a different one...) for her, so I needed to retrace the size, but it's really cute. It's the most complex pattern but it's adorable. I bought a Robert Kaufman window pane woven gingham in blue and some tan canvas for the top skirt from Joanns, and some cute eyelet trim. I think it's going to turn out really cute and I hope she loves it. 

And I hope it doesn't take too long. I'd love to get this improv quilt sewn together, even though I know I can't rush it. And, I've got Christmas sewing to think about...this year, I'm making our annual Christmas pajamas because I just can't bear the disappointment and upset when the Santa pajamas don't fit right because my girls are so much taller than the average kid and off the rack clothes are just not made for them. Sigh. I ordered some cute Dear Stella nutcracker fabric for pajama pants and a great Art Gallery Fabric striped knit for the tops and I think they'll be really adorable. And if the girls whine and gripe about them, we'll have to find a new tradition because pajamas will be done, haha. 

A Memorial Quilt

I think we've all seen the elusive traveling quilts, where a small group of quilting friends get together to piece together quilts. Each person starts with a theme and a color scheme and creates the center. They mail it to the next person who adds to it, and then it continues on through the circle until it makes it back to the owner, much larger than when it starts. I say elusive, because there don't seem to be that many but they always look so interesting and spectacular. I was always intrigued by them.

And then, my dad died. He had early onset dementia and was not doing well, but he died from a stroke. We all had a chance to say goodbye, it wasn't a sudden death from the stroke and we felt very blessed. But, I was five months (or so?) pregnant with my twins and was already extremely uncomfortable. I didn't feel able to really mourn the way I wanted to, which was to go to the mountains, his favorite place. So I sat and mourned as best I could. I brainstormed quilting ideas. 

First I made a mountain mini quilt, designed by Amy Ellis. I love it and it hangs in my living room. 

And then I thought of those traveling quilts. And the wheels started turning. I started brainstorming memories that could be turned into quilt blocks. Mountains, obviously, specific phrases, favorite books, favorite foods. I originally thought I might assemble it as a traveling quilt but quickly realized that it would be best to assemble the blocks and then try to work out how they all fit together. 

So I made blocks. Lots and lots of blocks. For nearly four years. Periodically I would see a pattern that was perfect and it would get added to the list. Lots are paper pieced and by the end, I was really done with paper piecing. In my mind, it's a necessary evil. I love how the blocks finish but I sure don't love making them. Here are few I liked a lot (not necessarily the making part, but the design, haha). Hufflepuff was from Fandom in Stitches (which has reliably good paper piecing patterns, usually for free) and the aspen leaves are by Center Street Quilts, available on Etsy. The lettering is all paper pieced as well, designed by From Blank Pages.

I also really liked this camera block, a free block of the month block from Fat Quarter Shop years ago as part of one of their charity fundraisers.

Finally, I finished the last block. Somewhere between the first block and the last, I purchased an embroidery machine and so there are several machine embroidered blocks I designed. I love what they add. Possibly my favorite is this digitized version of an illustration from the book Me and My Dad by Mercer Mayer. It took HOURS of digitizing, and at least four attempts at the multi-hooping before I got it right.

Once they were all finished, I laid them out and they fit pretty well together, I got pretty lucky. I added strips of fabric here and there to make them fit, but it wasn't as hard or awkward as I feared. I'm really glad I assembled it this way, I never would have thought of the camera strip otherwise, and I think it's a fun detail. And it turned out to be a great size: generous lap size. Nearly twin? Maybe it is a twin. But it lives in the living room, not on a bed. 

I took it to Marion McClellan, who is absolutely fantastic with custom quilting. She gets all my really special quilts, and she did a great job with this one. 

I love it. I love pulling it out and remembering. And I love pulling it out and telling my daughters the stories of their grandfather. They were too young (or not born yet) and only remember him in his illness. He was among the best of men, and, as Billy Joel says, only the good die young. I ache that they will never know his goodness. 

In Memory, long arm quilted by Marion McClellan, started in 2018, completed March 2021.

Controlled Improv WIP

I got to go to the Quilt Con quilt show earlier this year. We happened to be visiting my in-laws in Phoenix the very same time Quilt Con was happening. I didn't realize early enough to sign up for any classes, but that's okay. I spent a very long and full day looking at so many beautiful quilts at the show and browsing the vendors area. One of the vendors was Jittery Wings Quilt Co, and she had several quilts on display that corresponded to her patterns. I was really intrigued by a couple and she gave me a very brief demo on the color organization that she said the one pattern teaches. She called in controlled improv and I was sufficiently intrigued that I bough the pattern. It's called All the Good and I finally started sewing it. I'm a little nervous but I'm trying to trust the process. So far, I've gotten my HSTs all sewn, trimmed, and pressed, and I'm working on pairing my flying geese fabrics. 

This is my stack of fabric, almost, in the order I chose for the half square triangles. Once I went to cut it, I realized I was short on two of the prints. I could have sworn I had already verified that, since I had to order more of the light blue speckled Ruby Star print. I didn't mind, it's one of my favorites and I wanted more anyway. But I was pretty surprised that a few weren't wide enough for what I needed. I had to sub in two different greens, and a different yellow.

I was really irritated with myself and it took some major discipline when I made an irreversible cutting error. I wasn't thinking, and neglected the fact that I was cutting two at a time, and cut 8 of one size instead of 4. I intentionally did those first because I only needed one of the last size, and wanted to do the other before I opened it up to single layer, so of course I was aware of what I was doing, but nevertheless, I did it anyway, and didn't have enough to cut the single square for the flying geese. And of course, didn't have enough of that fabric left. Grr. It's a print by Amy Smart from her London line, and I really like it. I'm disappointed I will have less of that fabric in the quilt. BUT, it is improv, so I elected to take another print that was close in color that I did have extra of, and cut a second of that. It's fine. It'll be fine. But it's always irritating when you cut something incorrectly and don't have enough fabric to correct it. 

The pattern has you put them in a gradiant order and sew HSTs in that gradiant order, but I did a few switches because I was worried there wasn't enough contrast. I'm still a bit worried, to be honest, but I'm hopeful it'll turn out the right way since I'm basically following instructions. I'm using some prints I really love, too, and I think in general I've got a great fabric selection so hopefully it'll all work out.

I am breaking with the instructions a bit for the fabric order for the flying geese, mostly because I don't understand how it'll produce different results than what I've done. I'm trying to make sure that none of the pairings are the same as the HSTs, and I'm also trying to make sure that I don't have any inverted pairs, where I've got the same exact fabrics paired, but also that I don't have any that are too similar. This is my current organization. We'll see if I make any more changes.

I'm a tad nervous to see how this all comes together, and I don't know how I'll do the layout when it's time. I have a great design wall in my sewing room, but it's too narrow for this quilt, and it's really more of a block holding/organizing board than a design board since it's not wide enough for most things. But, you use the space you have, right? I'll have to layout on the floor outside my room where I do have space, and hope I can get it laid out well enough before I really have to pick it up. Usually, I'll take loads of pictures to help with layout (changing it to black and white can help me see value issues) and it has the added benefit of helping me if I have to pick it up before I'm done. 

Blog Revival

I think I might try to revive my blog. I’m dissatisfied with Instagram for a couple of reasons, and haven't posted there for over a year or so now, but I really like having a log of my makes. I haven’t blogged much because of the photo factor...getting pictures with my big camera doesn’t happen often anymore, and getting them from my phone to my computer isn’t always easy. However, pictures are the best part of quilty blogs, so I best figure it out, right? 

I also miss writing. I have dabbled in various writing for years; I majored in English literature in college, returned a few years later for a master's in English literature, and naturally spent those years writing papers. When there was an opportunity for slightly more creative writing in non-creative writing classes, professors complimented my writing. I didn't get as many (or any...) compliments in my creative writing classes, but that's okay. I've dabbled in children's fiction, and have several picture book manuscripts gathering dust on my hard drive, one of which I'm decently proud of, and one and a half rough drafts of children's novels. Those drafts were pandemic projects, and I really like the finished one, but revision is not a skill I've finetuned. I've always wanted to be an author, but the publishing world has shifted and changed over the past decade and I honestly don't think I would feel welcome or really want to participate in how it currently runs: marketing is not an interest I have and there is so much expected of authors today. 

The dream of publishing looms still, though, and I've had what I consider to be a good idea for a quilt book for several years. Will I ever pursue it? Likely not. There are too many other things, and I don't consider myself especially good at diligence. Look at my blog and Instagram page! :) I tend to be consistent for a few months, maybe even a year or so, before I lose steam. This revival may prove to be the same. However, this time, I am using it more selfishly. I won't be trying to drive traffic here through instagram or other socials. I welcome readers, but want to use this really as a platform for documenting my quilts, which I miss now that I am not posting to Instagram any longer. And for writing. 

So, here I find myself. 

What's happening in my sewing room right now? Lots. And lots has changed in my creative journey over the past couple of years. I'm still churning out quilts, more than maybe I should. I'm finished up a top this week, and I already have two ready to take to my quilter when I pick up the one she finished. One was a leaders and enders, so that doesn't feel as excessive as it sounds, and the one I'm finishing is an improv log cabin scrap project. Here are the blocks laid out. They are 10" finished, so this will be 60x70. And I still have loads of solids scraps...

 I'm not sure I'll finish it before I go get my quilt, but there's a good shot since this week is the last week before my kids head back to school (and my babies are off to kindergarten!) so I'm busy with preparations and last-of-summers. I want to clear out some of my leftover cuts of solids for the backing since it's a scrap quilt, so that may hold me up from delivering it with my others. 

My kids have largely highjacked my sewing room this week as well. On Sunday, I asked what they wanted to make sure we did before the end of the summer, and 3/4 said they wanted to sew bears. The one that didn't said she wanted to go to the beach. Sorry, kiddo, no beach days this week. *shrug* Sewing bears in a service project we worked on last summer. There's a local organization that has created a doll pattern and a bear pattern and they collect handmade dolls and bears and send them all over the world to other charitable organizations that request them. These organizations then donate these bears to refugees, victims, and other children who could use a little love. Last summer we made 27 bears and the girls loved it, mostly because we would watch movies in my sewing room while we worked. Here's our finished group last year.

But I love helping them serve, and so of course I'm happy to let them commandeer my space. I know we won't get 27 done, but that's okay. We've completely finished 12 already, and several more are stuffed and need to be closed. We'll get a good number done in the next few days. I'm proud of them for their desire and willingness to do something for someone else, and I love using my talents and skills to serve.