Supernova Quilt

The bandwagon is a real thing, and it fuels the quilting industry. We all feel the pressure to make all the pretty things, in the latest must-have fabrics, which seem to come out at an ever-faster pace. I have a closet full of good intentions: fabrics I had to have, haphazardly organized by color with assorted stacks pulled out for future projects. At any moment, I have 3-5 quilt projects in my queue, which doesn't include the other projects I have planned, some with fabric purchased/selected, some waiting for just the right moment. My stash has finally reached the stage of burdensome, where it doesn't fit in my drawers any longer and it feels heavy--like I need to put a dent in it. Truthfully, I sew almost entirely from my stash. It's kind of awkward when a well-meaning, friendly employee asks what I'm making while she cuts my purchases. I rarely shy away from saying my stash, and I try to not feel badly about that because when it's time to make a quilt, I don't go to the shop to buy what I can find that hopefully will be perfect--I open my drawers and audition fabric I already have. It makes my quilts so personal, a reflection of my stash and my preferences.

Come Bind with Me (A machine binding tutorial)

I have made over 50 quilts over the past 15 years and I can hardly believe it! I was reflecting on that, and how much my binding skills have improved, as I finished the binding on my Picture Perfect Snap Happy quilt. My bindings still aren't perfect and I know I can see the flaws, but they're so much better and I'm really happy with them. I feel like I've found a good balance of secure and good enough. I choose to machine bind for a couple reasons. First, it's faster. By the time it comes to binding, I want to snuggle with my quilt, and not while I'm hand sewing on the binding. Second, I don't enjoy hand sewing. I have started English Paper Piecing, but that's really it. I loathe appliqué. I tolerate hand binding on mini quilts and really special quilts not meant to be used hard, and only if they don't have minky. And third, machine binding is more secure. My quilts are for loving, and with four girls they get loved. And occasionally used for forts. 

As I thought about it, I realized I've developed my own preferences for binding and that maybe it would help you if you're still figuring out what you like and how to get your binding to place where you're happy with it. If you're looking for show quilt binding tips, this is not it. But if you want to be happy with secure and even machine binding, keep on reading!

Picture Perfect (A Snap Happy pattern)

When I saw the Pen and Paper Snap Happy pattern release, I had to have it! I was so excited about it. I love photography and I felt like it would a great quilt to showcase some fun travel prints. Or, to use her tutorial to print some of my own travel photos onto fabric and have a real memory quilt. I was so excited I bought the pattern at Sewtopia in Milwaukee, even though I had no intention of sewing it during the trip.

I quickly decided on using Rifle Paper Co fabrics, because their Bon Voyage line had come out just about a year ago. I knew it would be perfect. I opted to fussy cut the feature prints and I also added in a few prints from other lines and I really love all of them. Because I was so excited about this pattern, I made it pretty quickly, for me, anyway! I didn't manage to participate in the sew along, but within a year of the release is still pretty quick for me. I'm usually pretty late to the party. 

I realize the camera colors look a lot like the colors she used for the cover quilt. And I did draw inspiration from them for sure, as much as I wish I could say it was all me. BUT, I color matched with the prints I chose. She provides exact Kona color matches in the pattern, and I didn't use that at all. 

The camera block was a lot harder than I expected, and while I tried to be precise, I definitely should have been a bit more careful. I'm glad it turned out as well as it did! It took several hours. I'm glad the polaroid blocks were so quick. I did opt to add another row to the bottom and the side to make it larger because I like big quilts. It increased the number of blocks by almost 50%, which was a lot, but it meant I had more space to use the prints I had, which I loved. 

This was the first Pen and Paper pattern I have made and I have to admit I didn't love her instructions. I found her cutting instructions to be frustrating. I felt they could have been written more clearly, but mostly I felt they were very inefficient. Which meant I spent a lot of time cutting, trying to get the pieces out of my fabric as economically as possible. Still, her patterns are adorable and I'll probably buy her Book Nook pattern soon, because it's really one of the cutest book quilts out there. And...I wouldn't be surprised at all if I made another Snap Happy. I really would like to try printing my own photos and using those. 

Curio Quilt

Every Christmas, our sewing gang has a favorite things gift exchange. There are only four of us, so we buy a favorite for everyone. Last year, Kat gave everyone charm packs of the Curio collection by Rifle Paper Co. I LOVE Rifle Paper, so I was really excited to get it and sew with it! Curio probably isn't my favorite Rifle collection, but those books are dreamy. I feel like Curio kinda had a bit of a retro vibe with the sunflower print; who wasn't obsessed with sunflowers in the nineties? They were everywhere! 

I don't use precuts often at all, but I really wanted to use this charm pack and show off the great prints. So I settled on recreating a quilt I had seen at Garden of Quilts at Thanksgiving Point. It offset half square triangles so they were sprinkled all over the quilt, and it I felt like it was a really fun, modern way to show off prints. 

I opted to use Essex linen for the background and the backing and the binding. I wanted the texture to really add to it, since it was such a background-heavy quilt. I went for a yarn-dyed seafoam green, and I think it's perfect. 

Using an entire collection can be hard because they usually include low volume and/or prints with white backgrounds, which make it difficult to pick a background color that will adequately show the quilt design. This green I thought worked great. I pulled it from some of the prints, but it's different enough from all the backgrounds of the prints that you can see the design well. 

It went together pretty quickly and I really like it! I swapped out some charms that weren't my favorite and added in some extra book fabric, because, hello, books. :)

And I took pictures of it using tips from Matante Quilts, who recently hosted a mini webinar about quilt photography while she prepares for her next workshop on photography. I can't believe how much better they are!

Tiles Take Two

Right now, I don't actually have a leaders and enders project prepared, because I can't seem to pick one. I'm using my slow project (which has roughly 4 million curves) as leaders and enders, but I hope to get a new one picked soon. I got my last one bound, and it's making me feel even more pressure to get a new project picked already! :)

This quilt is my most recent leaders and enders, and I used the Sunset Tiles pattern by Jeni Baker in Scraps, Inc. Vol 1. I've made the pattern before but I messed up while assembling and some of the rows are sewn together incorrectly, which messed up the pattern and made it pretty out of square. I love that quilt, though, and I wanted to have another go to try and get it assembled correctly. It's set on point, and it was the first time I've done a quilt on point, so it's understandable I messed up, but still disappointing. 

Plus, the pattern is a great one for leaders and enders. It's simple to sew, the pieces are a great size to use up scraps, and color placement within blocks is a non-issue, making it pretty perfect for a leaders and enders.

I made this version a bit larger, and like my others, I backed it with denim to make it more durable for picnicking. I don't love the colors quite as much as the first one I made, but a friend on IG said it's cheerful, which I think is a great way to describe it. 

Fringe Dress

I want to like sewing clothes more than I do. I'm so tall it's hard to find things that fit properly, and it's nice to be able to make something you want instead of trying to find it. But, quilting really has my heart. Still, I sew clothes somewhat regularly, and this is my most recent make. 

I bought the Fringe dress pattern (finally hopping on that train, it's such a popular pattern!) during a sale at Chalk and Notch. I was specifically looking for a pattern to use for a cut of linen I was given by Harmony Fabric in Provo for winning a giveaway! I won 3 yards, and it's such a lovely light blue linen. Since I'm tall, I had to be careful about pattern selection, since I need to add so much length generally, I couldn't risk running out of fabric. The fringe dress was well within the fabric requirements, I think it specifies only 2-1/2 yards or so, so I felt like I'd have plenty. Plus, there are so many fringe dress pictures on the internet in all sorts of different fabric selections, and I felt confident it would look great in my linen. I snagged a paper copy during a sale they had, and eventually got around to sewing it. 

Honestly, I think this is among the quickest I've ever sewn up a planned project, haha. I got the fabric in April, and I sewed up the dress a few weeks ago, in August. I tend to stock up on fabric and/or patterns when they're on sale and then sew them when I'm feeling inspired or need it for a specific reason.

Maybe my reason just came up quicker than usual; I made it for family pictures, which we just did a few days ago. 

Part of the reason I dawdle is I dislike making muslins. I know it's so important and definitely not wasted time, but it feels like it. And, half the reason I like to make clothes is so they fit me, but what that means is often I don't fit in a straight size, so then I have to decide which size to start with, etc etc. And then tracing the pattern...I don't love prep work. 

Still, I persevered, and added the length I thought I'd need to check, and was pleasantly surprised it fit pretty well straight out of the envelope. So, I set about making it in the linen. 

Overall, I'm pretty pleased with it. I opted to straighten the hem out, and I made the v-neck with buttons and added the sleeve tabs. I love that I didn't have to adjust the neckline at all for good coverage (I'm not into showing off cleavage, sorry! I get cold, what can I say?), and I love the ties detail. I opted to add mine to the back darts because it seems like such an interesting detail. However, now that I've made it, I think I probably should have made it a size larger. I was really thrown off because the muslin (and the dress) genuinely look like the right size. It doesn't feel too snug when I wear it, except for perhaps across my arm, but that's easily explained by the drop sleeve construction. HOWEVER--because the buttons only extend to the waist, which is flatteringly situated just a bit above your true waist, the opening isn't *quite* big enough to comfortably put on and take off. I kinda feel like a gymnast every time I wear it, and I'm always worried I'm going to pull something (I am 40, after all...) or rip it. It might be my fault--I left in the basting stitches from gathering the skirt. But, I don't logically think it would do that. If I could take them out easily now and check, I would, but I serged the seam so it's nice and finished. I don't think those stitches are coming out, haha. Once I really struggled, I realized that most dresses take the opening down past the waist, so I feel like it's a slight design flaw and I'm surprised no one else has complained. 

The other disappointing thing about this dress is actually the fabric. When I got it, it was so soft, I was so excited to wear it. And it IS very soft. But, it is a deadstock linen and I'm learning that you just need to be careful with deadstocks. This one had some really thin spots where the weave was uneven and just thin. So I carefully cut around it as best I could. But it just seems like kinda shoddy fabric, which I find really disappointing. I'm really glad I won it in a giveaway and didn't purchase it, because I would have been upset at the quality. I don't know how long it will last with the quality of the fabric, but I really like the dress even still and will probably make another. It wasn't a difficult sew at all, and again I love the neckline and the ties detail. 

Birds of a Feather (a Glare quilt)

I've finally finished my quilt from Sewtopia! Latifah Saafir taught her Glare quilt pattern, and I was excited about it. Latifah's patterns are graphic and modern, and I already had several patterns and templates. When I decided on fabric for the project, I wanted to make sure I used a focal print that the large centers would really show off. I opted for Tula Pink's Daydreamers flamingos. And from there, it just kinda snowballed. I ended up using exclusively Daydreamers fabric for the quilt, and even used Tula Pink solids for the alternating blades and background. I don't think I've EVER made a quilt from exclusively one line. I always mix in other fabrics even if it is primarily from one fabric line. But I don't often use Tula Pink fabric. When my friends saw my quilt, they said how unlike me it was. I disagree, I think, but I can see where they are coming from. Even thought the Daydreamer line doesn't have the garish clashing colors that some of Tula's lines have, it is ALL BRIGHT, and my quilts tend to be at least a little tempered. 

I really love how it turned out, though, and my kids fight over it right now, even though I backed it with a Tula wide back instead of the usual minky. I love how the rounded corners give it a little extra something, and that it wasn't that hard to bind. 

This quit pattern was a fun one to sew and went together relatively quickly. The blocks are large. It does take some finessing, some getting used to the technique, and I did do some unpicking. It's interesting that on curves, the way you iron (whether toward the curve or away from the curve) can impact the puckering, and not every circle was the same. 

I would definitely make this pattern again. I loved how it turned out and would love to try out some different fabric choices. I used the background fabric as some blade fabric as well on a couple of the blocks and hoped it would blend into the background to make it appear more spiky, and I'd love to try that with all the blocks, to give it a feel like the suns we all used to draw in elementary school. I think that would be cool.

Winning Ribbons

I posted my Garden Gem quilt already, and I mentioned I planned to enter it at the Springville Art Museum for their annual quilt show. I like seeing my quilts hang in museums, it's fun! And I was really happy with how it turned out. I try to not worry about winning things, because it's not why I make quilts and honestly, I'm not technical enough to really worry about it. Still...I kinda thought, *maybe* it might win a ribbon, my points (the very few there were) lined up really well and Marion did a fantastic job quilting it. I didn't dare hope, but honestly, I really hoped. I just tried to say I didn't care. 

But luckily, I DID win a ribbon, which makes my second this year if you count my Sewtopia ribbon, which I do. :) Interestingly, both quilts use designs by Jenny Haynes of Papper Saxsten, so clearly, she's designed award winning quilts. As a ribbon winner, I was invited to the opening reception award ceremony and of course I went, I was anxious to find out what ribbon I won! I didn't dare take my girls because I didn't know how long it would be and I didn't want them to be disruptive or bored... but I probably should have taken them. Instead, just my husband and I went. Of course, they began announcing the winners from the bottom up, starting with those that had been awarded honorable mentions, and then awards of excellence, and then judges choices, and I kept waiting for my name to be called and it kept not being called. Finally, there were only a few ribbons left and they finally announced my name as the director's choice! She was announcing the awards so she shared a little bit about my quilt and how much she loved it and was so glad she got her first choice, which doesn't always happen. I was absolutely thrilled! 

We brought our girls down a few weeks later to see it at the museum with the ribbon and they weren't all that excited...but I did see another quilter who had won a ribbon in the same gallery and we talked for a bit. She told me there was some drama on the ribbon wining for the Dear Jane quilts and I realized going for ribbons is not for me. I'm so glad I won, and I'm not going to lie, I'm excited to see how much money I won for winning a ribbon, but I don't think ribbon seeking is for me. I mean, I machine bound my quilt. :D

Beach Puddles

The other quilt I got bound recently was this version of Candlelight by April Rosenthal. I made her kit version with the same fabrics from the cover quilt, and I love it. It's fun to put together with the traditional blocks. In the pattern, she emphasizes that value gradation is a key part of the quilt and making the design really pop. I thought it would be fun to play with color gradation instead and went with yellow to blue. I really like the colors and I think it worked out well but it didn't have the same impact as the value gradation. It's interesting how the changes made it pop differently. I treated yellow as the light and navy as the dark, which makes sense, but the warm yellow pops more than the cool blue so it's interested to see color theory in action. And the middle colors kind muddle together...I should have used the yellow for the stars so they popped more than the rolling stones blocks.

I omitted the border on it because I couldn't decide on what fabric to use, and it was a pretty narrow border anyway. So it's a tad smaller than the original, but I don't think it's too small by any means. Although, I do tend to prefer large quilts ;-). 

Here's my original Candlelight quilt, which I realized as I wrote this that I had never blogged about. 

Beach Puddles, quilted by Abby Latimer, completed July 2024

Original Candlelight, quilted by Abby Latimer, completed November 2020

Federa Quilt

Summer has flown by for me. Our kids go back to school in just a week and a half or so, and I can hardly believe it! I've got to pack a bunch of fun things in that we've meant to do all summer, and it just hasn't happened yet. A hike, maybe (if I can talk them into it...), a day at the roller rink, shopping for family picture clothes...plus we need to review everyone's uniforms and make sure they have what they need. We have had a great summer, even if I feel like I need to make up for lost time. We took a roadtrip up to the Pacific Northwest and visited the San Juan Islands and Olympic Peninsula with a short stop at Cannon Beach before coming home. It was a lovely way to start summer. But, we haven't done our typical summer sewing service this year (we also missed last year) and that makes me kinda sad. Maybe next year we can get back into it. I have had my girls help cook for the last few weeks which was on my list...I want them to help me just once a week so they can start to learn how. My older girls end up doing most of the work while I assist, and my younger ones help until they get bored waiting for various steps and never come back...but it's okay. Progress, right? 

And speaking of progress, I've made progress in my sewing room, too. I bound two quilts, including my Federa Quilt, which I mostly pieced at Sewtopia in April. It's the Wasatch pattern by Compass and Wildflowers. I used colors inspired by our trip to the Dolomites in October, so yellow and orange foliage and turquoise for the lake. We got to visit Federa Lake while we were there and it was absolutely stunning. 

The piecing was really simple and a perfect Sewtopia project since I could just grab strips and go; since it was made of solids and all the blocks were the same, there was no need to lay things out or worry about spacing out colors and fabrics evenly. 

Unfortunately, it's not square. I appreciated that she has you cut blocks in halves or quarters to add to the edges to make the edges straight so you don't have to trim it after quilting and lose so much of the blocks, but I wonder if that was partially to blame for it's lack of squareness. It doesn't really matter, not really, it's a throw quilt and even if it was a bed quilt, I'm really not much of a show quilter. (Although I do have something to share about that later; stay tuned!)

I love this quilt and that it reminds me of Italy. Our trip to the dolomites was really great, I'd love to go back! It was just beautiful. Although, I think we'll wait until after the olympics go through; there was plenty of construction as they prepare to host.

Sewtopia Milwaukee

I am so excited to share about my trip to Sewtopia in Milwaukee! It was amazing. More amazing than I could have hoped. There are a bunch of pictures, and a lot of them are even more terrible than my usual sub-par standard because interior lighting is ROUGH. But hopefully they give you a good idea!

 

First, while my sewing bestie did not get a ticket initially, Megan and Amy saw my note on an instagram post that she had not gotten a ticket and when one came available a week before the event, they emailed me and offered it to her directly. So she got to go! I was majorly impressed with her spontaneity. I was nervous about being by myself when so many of the attendees had been before or were attending with friends and I worried I would feel lonely. That worry was unnecessary, as everyone was so exceptionally friendly and inclusive, but I was still glad she got to go. I didn't really know what to expect, but I did anticipate bringing home more than I took with the shop hop. I didn't realize how much extra stuff we'd bring home, though! We got amazing swag bags with patterns and precuts and batting and more, and everyone gets a doorprize at some point through the weekend, and many of them were fat quarter bundles. You can see the one I picked in a picture below, barely, in the picture with the pouch I received in the swap.

 The event on the whole was so fun. The shop hop was great and I got some fun fabric, including some great additions to the quilt I worked on for Latifah's class (more on that later). The saddest part to me was that the shops seemed understaffed and overwhelmed by our visit, and cutting and checking out took FOREVER. I only got to one shop at the second stop instead of both shops (which were just a block away from each other) because they had only one person cutting and one person checking out. So I waited roughly 40 minutes to get cut. I try to not feel FOMO too hard, but I was disappointed to not get to both shops. We also visited a quilt and textile museum, which was pretty cool, although it took longer than I think we really had budgeted for in the shop hop unfortunately. There was a 25 million stitches project on display, which was in recognition of the refugee crisis. It was dark, and there were so many embroidered panels, so pictures were hard and I only took some of the some of the panels I really loved, one is below.

I took my Wasatch quilt project to work on because it seemed like it would be mindless sewing since it's a log cabin construction and I used solids, and it was a great choice. I was in the afternoon classes, so we had a couple of open-sew periods before our first class, and I nearly finished my blocks during the weekend. I miscut and was 8 pieces short of one of the colors, so I couldn't finish it. But, I was so happy with my progress and was able to quickly finish the quilt after I got home. It's now at my quilter's for longarming. 

 

We had two instructors for the weekend: Latifah Saafir, who taught her Glare quilt, and Violet Craft, who taught us how to turn a photo into an EPP pattern. Both were so great! I got three "blocks" done for my Glare quilt, and I'm excited to jump back in this weekend to work on more. I'm a little nervous about the assembly, because she showed us briefly at the end, but it seemed a little tricky even though the curves are nice and big and gentle. I am using Tula Pink's Daydreamer line, and it feels funny to me to use a single line. I never do that! But I thought the flamingos were perfect for the centers and it just kind of snowballed from there. It's going to be a pretty bright quilt for me, but I think it'll be really pretty. 

As I've shared previously, I didn't feel comfortable participating in the Super Secret Swap just in case I wasn't up to enough awesome sewing before the event. But I did sew a swap item and Phyllis got my Luisa crossbody bag, which she loved with the focal Tula Pink print. I got a lovely pouch made my Anja. The zipper work looks so tricky and she said she struggled, but it looks like she breezed through it. The topstitching was well done, I assure you, and my girls have already tried to take it for themselves but I wouldn't let them. 

The biggest news I have to share is that I won the fabric challenge!

 For every event, Sewtopia hosts a fabric challenge, and this one was sponsored by Windham. We were sent 6 fat quarters, including three prints by Heather Ross and three solids. I brainstormed and wanted to use the stripes creatively, that was my biggest focus. I decided to make an Above the Cairns quilt, designed by Jenny Haynes, even though I haven't taken her workshop. I have taken her Hexibore workshop, and I have some of her templates, so I just went with it...I had to print the largest durkard's path template from Electric Quilt. My goal was to have the lighter peach snail print and the orange solid blend together with the striped fabric which had the peach and orange colors in it. I used the strawberry print for the centers and since they kind of resembled cobblestones, I titled it Roman Cobblestones because of the delicious strawberries we had there when we visited a few years back during strawberry season. I quilted it with my walking foot, using a design from Jacquie Gering's Walk book for the main center. Amy said my quilting was what really sealed it, and I got loads of compliments on the quilting. I felt so proud of it!

 

 I never quilt my own quilts, and this was really as big as I'd want to quilt myself. I got a first place ribbon, made by Megan, and a box of fat quarters of the full line of Windham solids. I'm thinking maybe I'll order Violet Craft's peacock quilt pattern and use them for that, which seems fitting.

Luisa Crossbody Bag

So…I was really happy with the pouch I made for the sewtopia blind swap. I thought it turned out great and I felt like I had a good amount of extras in it. I even kinda felt like I didn’t want to give it away. 

Then, I watched the replay of the question and answer zoom call. And they talked about the swap and about the projects they were making for it…and my pouch seemed too simple. And I reread the swap instructions in the attendee packet and they have changed the wording from a small item such as a mini or pillow or pouch, to a medium item such as a tool organizer or favorite bag. 

Yeah. My pouch was not good enough. 

So, I started brainstorming because sewtopia is less than a month away now, and settled on making a Luisa crossbody bag by Sotak Handmade. I haven’t made it yet, but I thought it would be simple enough to try and would be a good pattern for a focal print. I chose a Tula Pink cameo from the Parisville deja vu line. Luckily, I found fabrics to go with it for the rest of the bag and I think it turned out great! 

I’m really pleased with how the zippers turned out. This rainbow zipper tape by the yard was an impulse purchase while I bought some other zippers by the yard on Etsy and I think it’s perfect for this bag. 

I did have to adjust how I inserted the zipper for the main compartment because I couldn’t figure out how to close it as written for a regular zipper, so I added another tab to the open end. I also think it could use a slightly wider strap, it’s a pretty big bag for only 1” wide. I also should have used a stiffer denim for the interlining, I think it’s a bit slouchy on the bottom contrast part. Otherwise, I think it’s a great bag, and once again, I’ll be sad to give it up. Hopefully the recipient loves it too, and I get something amazing myself!

Garden Gem (a Hexibore quilt)

Somehow, I came across Jenny Haynes' Instagram feed and discovered her amazing curved piecing. I ended up signing up for her Hexibore class and ordering her acrylic templates because I had never seen anything quite like it and just HAD to make one for myself. She offers her more complex patterns only as online classes, and only live, though you do get a recording of the class afterward. 

This was the second iteration of the class, where she introduced a four-petal version, and that's what I opted to make first. Since, I have also made a six-petal top that I'm trying to decide how to have quilted. It's tough, I'll tell you. These quilts are so graphic that you really want to make sure the quilting will accent the design.

For the four-petal version I made first, I decided I HAD to have it custom quilted, and in the past, I've hired Marion McClellon for that. She always does amazing work! I just trust her, and know she'll do some amazing art. So, after I finished up the quilt top, which went together pretty quickly since it doesn't have many pieces. Jenny gave great tips on how to get the pieces lined up just right so you don't lose the curves. Her instruction was great, I wish the class were just a little more professionally done. It was very informal, which is why she hasn't created contents ready for streaming anytime. I can't really complain about the content as she really does give great instruction. And, it wasn't very expensive as far as classes go. I guess I'm mostly disgruntled because I'm really interested in some of her other courses, but I've never caught them with openings at times that would work for me. 

I just got back my quilt from Marion a week ago, and I finished binding it. I picked the binding out when I bought the fabric originally, which is so unlike me! Usually binding is an after thought. But I thought the orange would be striking. 

I was blown away by Marion's quilting when it came back, and I had tried extra hard on the piecing to get the points lined up just right, so I decided I will probably enter it in the Springville art museum quilt show this summer. And with that in mind, I decided to try a little harder on the binding. It didn't work out perfectly, I'm not good at binding. But I think it's okay. I backed it with minky which means the drape is excellent despite the dense quilting, and since I backed with minky, there's no way I could hand stitch it down. So, instead of sewing the binding first to the front and then turning it to the back, I stitched it to the back and turned it to the front so I could "topstitch" it down. I reasoned it would look more intentional and better. Of course, true to form for me, it's a tad wavy. I tried so hard! I cleared off my table and tried to not pull either the quilt or the binding. But it was a heavy quilt and that's hard to manage. Oh well...I don't really expect top marks from the show anyway. It's just fun to see your work hanging in a museum! 

Completed March 2024

Gratitude Quilt

Before Thanksgiving, I had an idea. I had just seen a blogpost by Amy Smart about her gratitude quilt, and it lit a fire in me. The wheels turned quickly, and even though I usually mull things way longer than is necessary, I quickly jumped to work. I pitched it to my kids and they liked the idea too, so we went for it! 

I largely used Amy Smart's pattern for the gratitude quilt, but I made some changes. I think I made more blocks, but I omitted the border. And instead of using a sharpie to write on the blocks, I opted to embroider them. I had my girls all come up with 10 things they were thankful for and then I color coded the blocks and had the girls all sew their own blocks. So, my oldest daughter's blocks are all the same yellow fabric, and my second daughter's are all the same blue. I added their name to one of their blocks so we'd be able to figure it out easily later.

My girls have a whole week off of school for Thanksgiving and we never travel, so this was a great activity for them while they were off of school. I did need to unpick and resew a few blocks, especially for my seven-year-olds, but they mostly did great. And I sewed all my husband's blocks, of course. 

Once they were done, I laid it out quickly and stitched the rows together, and then I had a stroke. I knew it wouldn't be done by Thanksgiving, since we were sewing the blocks the day before Thanksgiving, but I still hoped to finish it before the end of the year just to wrap it up.

That did not happen. But I got it up to my quilter in February (I couldn't easily get down on the floor to pin rows together after I was discharged because I was so stiff), and I got it back this week.

I put it aside while I worked on my Sewtopia challenge quilt (will post on that later!), but once I had sewn the binding down to the front of that quilt, I opted to bind this one. I used the brown fabric that I used for some blocks, and I don't love the print (it was free from a neighbor's destash) but it's a great color, especially for an autumn quilt. I think it's a great binding for this quilt. 

I'm so glad it's finished!

Sandhill Sling

I mentioned last time that in lieu of participating in the Super Secret Swap for Sewtopia, that I wanted to make myself a swap package, so to speak. I wanted to give myself permission to make something hard that I've wanted for a while in the pretty fabric. I intended to justify purchasing fabric if I chose, but in the end, I used fabric from my stash. I did have to buy a couple pieces of hardware, but otherwise, I had everything. I love being able to turn to my stash for most of the things I need. It's really fun to shop your stash and not be limited by what's available at the quilt shop. 

I decided that what I really wanted, what I had taken screenshots of most for a possible mosaic for the swap, was a sling bag. I purchased the Sandhill Sling pattern by Anna Graham of Noodlehead over Black Friday and settled on making it. 

Luckily, I have a nice selection of canvas in my stash, including a lot of Rifle Paper Co, and some Ruby Star. There are some really phenomenal canvas prints out there, and I settled on a floral Rifle Paper. It went great with a large scrap of Essex linen and I opted to line it with a postage stamp print by Rifle Paper, though I didn't have enough. I made the pocket out of a starry print by Rifle Paper, right? I'm pretty sure...

And, I used zipper by the yard for the first time. The pattern uses a double head zipper, and I found some YKK zippers at my favorite Etsy shop, Zipit, but then I realized that a lot of people are using zipper by the yard for their handbags because the manufacturer (not YKK...) are making nylon zippers with metallic painted teeth so you get the benefit of looking like a metal zipper without the difficulty of shortening metal zippers. I found a different seller with a nice variety and ordered a few different tapes with some pulls, but I went with the one I had originally planned, a gray and white striped tape with silver coils. I think it turned out so sharp, and I'm so glad! 

The bag went together pretty quickly and mostly easily, although I did break for a couple of weeks in the middle while I worked on the quilt top for my fabric challenge project. I managed to finish it, and the backing, and had a couple of days before I could get up to a different shop for the Aurifil thread I picked out for quilting (which I ended up going in a different direction, but that's another post...) so I finished up the bag. 

It was mostly easy until the very last finishing step, which is brilliant, in that it allows you to have a fully finished lining without binding or hand-stitching a hold closed, but it was tricky. I can't even describe it easily, but it's brilliant. I found a 505 glue stick at my local shop while I was buying batting for my challenge quilt and it helped a lot with basting for the final step. 

Now my biggest decision is whether I want to start using it now or whether I want to save it like it's a swap package for sewtopia. It's only about 5 weeks away at this point...

A Devon Pouch

I'm not a perfectionist, not really. I did tear the zipper out of the first pouch I made for the Sewtopia Swap, twice, but I'm not a perfectionist. And yes, if you were reading closely, you caught that "first" I put in front of pouch. Which strongly implies there is, in face, a second. And if you caught that, you would be right, but it doesn't make me a perfectionist, it really doesn't.

The thing is, I was just really questioning the pouch I made. It wasn't my best work. I didn't like it. I tried, and I thought I was making good choices, but it just didn't work. First, I accidentally cut the embroidered panel too narrow, so I had to make the pouch more narrow than intended. Well, the actual first was the fact that I chose the wrong color thread for the dark linen I embroidered. But, instead of redoing it at the time, like an intelligent person, I persevered. I reasoned that sometimes things don't seem like they're going to turn out until you're done and then they're fine! I reasoned that it was a gift for a random person I don't even know and it was very possible they would LOVE it. I reasoned that if I made a matching chapstick key fob, and filled the pouch with extras, it would make up for the deficiencies I saw in the pouch.

But all the reasoning I could muster couldn't change the fact that I did not like the pouch I had made and I felt badly giving something I did not like in a swap. 

So, I made a new one.

Pouches really don't take all that long, I probably spent more time talking myself out of making another one than I did actually making another one. 

I tried to do better work on this one. I added tabs to the zippers on the top. I used good fabric (even though it was all scraps). I did all the right things. 

And I love how it turned out. If you did a blind swap right, you shouldn't want to give away what you make, and that's exactly how I feel right now. 

I have to keep telling myself, I can make another one. I can make another one 

I used the Devon Pouch pattern by Sotak Handmade and it went much better than the pyramid pouches. I used a Rifle Paper Co print for the focal fabric on the front, a natural linen for the exterior, and blossom fabric from Riley Blake in green for the interior. I have more of all of it, so I really can make another one if I feel so inclined. 

I'm so glad I went ahead and did it.

And now, I'm starting work on my Super Secret Swap project. 

Spoiler: I decided to make MYSELF a super secret swap project 😂

I was going to sign up, because I want to fully participate in Sewtopia. BUT, I decided that instead, I'd just make exactly what I wanted for myself. So I'm making a Sandhill Sling and I'm using the good fabric, including a floral canvas by Rifle Paper Co for the focal print on the front and a cute stamp print from the Bon Voyage line by Rifle Paper for the interior. It's going to be GREAT. And I'm going to buy myself the treats I would want as extras and take them for myself. Yes, it's fun to get surprises picked especially for you. But I wasn't sure if I'd be up to it enough when sign ups happened, and I didn't dare sign up. Of course, I'm doing loads better now, but I didn't want to risk disappointing someone else. Plus, when I looked through past hashtags, people have gone NUTS on their packages and I didn't want to spend $50+ on extras alone. 

So, I'm making a swap package for myself. :) I think it's brilliant. 

I'm in the first prep stage and I always remember at times like this how much I hate interfacing. It's my least favorite part of sewing bags. But, it gives good structure, sigh. Hopefully I'll have a finished bag to show off before too long!